| Physical Specifications |
|
| Dimensions (W x H x D mm) |
214 x 127 x 45 |
| Weight |
709g / 25oz. |
| Mount points |
1 x Anti rotation 1/4″-20 top and bottom |
| Environmental |
|
| Ambient operating temperature |
Up to 40° C |
| Construction and Control |
|
| Body |
Polycarbonate ABS Plastic |
| Cooling |
Actively controlled fan and Heat Sink |
| Tally light |
Rear and front |
| Multi-function button |
Power / lock Screen |
| Power |
|
| Input voltage |
6.2V to 16.8V |
| Operating power |
10 – 33W |
| Compatible batteries |
NPF L series |
| Built in battery |
No |
| Battery Run time (Record) |
5200mAh – up to 1.5hrs (monitor & record 4K 30p) / 7800mAh – up to 2.2hrs (monitor & record 4K 30p) |
| Continuous power |
Dual battery slots |
| DC in connector |
DC jack (5.5mm OD 2.1mm ID) |
| Dtap |
Via optional D-Tap to DC cable |
| Display |
|
| Touchscreen |
SuperAtom IPS panel (capacitive touch) |
| Size |
7.2″ |
| Resolution |
1920 x 1200 |
| PPI |
327 |
| Bit depth |
10-bit (8+2 FRC) |
| Backlight Type |
Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones |
| Brightness (cdm2 / nits) |
1500 / 3000 Peak HDR brightness |
| Aspect ratio |
16:9 Image Display |
| Color Gamut |
DCI-P3 (D65) |
| Calibration support |
Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline |
|
| Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut |
BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display |
.Cube Format |
| 3D LUT Down Stream |
Loop out |
| 3DLUT 50/50 |
Yes |
| Monitoring Modes |
Native / HLG / PQ / 3D LUT |
| HDR output Conversion |
No |
| Video Input |
|
| HDMI |
1 x HDMI (2.0) 4k p60 |
| SDI |
Quad link 3G SDI with 2 x 12G SDI (backwards compatible), Auto detection |
| SDI RAW |
Apple ProRes RAW up to 6k |
| Bit Depth |
8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling |
4:2:2 |
| Metadata |
|
| SDI |
File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| Video Output |
|
| HDMI |
1 x HDMI (2.0) 4k p60 |
| SDI loop out |
1 x 2 x 12G SDI Backwards compatible Auto detection |
| SDI Play out |
2 x 12G SDI Backwards compatible Auto detection, Level A and B selectable |
| Video Chroma Subsampling |
422 |
| Bit Depth |
10Bit Video |
| Web Streaming |
|
| USB UVC |
Optional via Connect 4k |
| Video Signal Conversion |
|
| HDMI to SDI |
Yes – Video and RAW |
| SDI to HDMI |
Yes – Video and RAW |
| Audio In/Out |
|
| Audio Quality |
24/48kHz |
| Audio Codec |
PCM |
| HDMI |
8ch 24Bit, input dependent |
| SDI |
12ch 24Bit, input dependent |
| Analogue Audio in |
XLR via Optional Break out cable |
| Analogue Audio Out |
XLR via Optional Break out cable |
| Headphone out |
3.5mm 2ch. |
| Timecode / Sync |
|
| Embedded |
HDMI and SDI |
| Time of day |
Yes, Time and Date |
| LTC |
LTC via BNC input in Record mode |
| Genlock |
GenLock in Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) |
|
| 6k |
RAW Only up to 30p via SDI Only |
| 4k DCI |
23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD |
23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 |
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p |
| FHD 1920 x 1080 Progressive |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF |
Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced |
23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p |
50/59.94/60p |
| Recording CODEC |
|
| CDNG |
For SDI RAW inputs Only |
| Apple ProRes RAW |
ProRes RAW, HQ |
| Apple ProRes |
LT, 422, 422HQ |
| Avid DNxHD |
DNxHD 220x,220,145,36 |
| Avid DNxHR |
LB, SQ, HQ, HQX. |
| Playback |
|
| Playlist |
Yes, Create custom playlists from full or sub clips |
| Loop |
Yes, with user customisable in / out markers |
| Apple ProRes Raw |
Yes, recorded clips |
| Apple ProRes |
Yes, with Linear PCM audio |
| Avid DNx |
Yes, with Linear PCM audio |
| Recording functions |
|
| Pre-roll record |
Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record |
Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record |
Yes Up to 1080p 60 |
| Multi Input / Switching |
|
| SDI A/B toggle |
Yes, Supports up to 12G SDI per input |
| Dual Input display |
Via Multi ISO input mode |
| Multiple SDI input |
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Input transitions |
Auto or manual XML transition |
| Supported media |
|
| Master Caddy I |
Not compatible |
| SSDmini |
Yes with optional SSDmini handle |
| CFast II |
Supported cards via optional AtomX CFast Adapter |
| File Naming |
Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System |
ExFAT |
| On screen tools |
|
| Waveform |
Yes, 3 size / Position |
| RGB parade |
Yes, 3 size / Position |
| Vector scope |
Yes, 2 size / Position |
| 1 x Zoom |
Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom |
Yes |
| Focus peaking |
Colour selected / threshold setting / colour/ Mono / edges only |
| False colour |
Yes, with Scale |
| Zebra |
Yes, Adjustable |
| Isolate color channel |
Blue Only |
| Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides |
9:16, 1:1, 191:1, 4:5 |
| Safe areas |
Action and Graphic |
| Grid markers |
9 grid |
| Anamorphic desqueeze |
1.25x, 1.33x, 1.5x,1.8x, 2x |
| Display Flip |
Vertical Only |
| Onboard Signal Processing |
|
| Pulldown Removal |
24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD |
Loop out – 4K UHD to FHD |
| DCI Crop |
Loop out – 17:9 to 16:9 Crop |
| Remote control |
|
| HDMI |
Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI |
SDI trigger camera selectable |
| Serial 2.5mm Jack |
LANC control and calibration viaoptional USB to serial cable |
| External Device Control |
|
| Supported Applications |
|
| XML |
Cut tag EDL and Multicam with transitions in FCP XML |
| Apple ProRes RAW |
Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light |
| Video Codecs |
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
Streaming and Live Production, Signal Adapters & Converters
